[Leer cuento en español]
The neo-ancient birth of the phrase “streaming mass” brought Caroline delight mixed with relief. She has stoically resigned herself to renouncing her walks with friends to the Dish and her jazzercise classes, no matter how much she longs for them. All for the common good. And, well, she has a big backyard, where she can run, dance, or do flips on the trampoline if she wants. She never actually has, but why shouldn’t she?
Physical exercise is not, then, her main concern, but missing Sunday Mass is a harder pill to swallow. Now that is something unpardonable. She has given more than a fair shake to guided meditation videos on YouTube and theological chats over family dinner but, after weeks devoid of the reverend’s velvet words, the pit in her stomach bores deeper every second. How is it possible to face these apocalyptic times without the spiritual peace of Sunday’s congregation?
That’s why just reading “streaming mass” on her church’s website — in spite of the friction of its meaning, its almost paradoxical chronology — had made her feel a little bit closer to heaven.
This Sunday, dressed to the nines, she’s all set up to correct exams while she waits for the service to begin. She dialed in to the video call twenty-three minutes and fifty-seven seconds before the start of mass, when there was not yet another soul to be seen in this cyber-limbo, so she continues to wield her red pen, less focused than usual due to the angelic chime every time someone new joins.
Six minutes and fourteen seconds before the streaming mass, she puts the exams aside to be dealt with in a clearer-eyed moment and begins to focus on the images of the other devotees. There are dozens of them and, every time one speaks, her picture fills the screen and ruthlessly unveils all the secrets of her home, at a stroke transforming all the others into petty, unwitting domestic spies.
Although the longevity of the parishioners is hardly news to her, Caroline can’t help but be struck by the great host of pills in the foreground, of respirators in the background, of canes and walkers strewn about — not judging, not judging, that would be a sin, but you have to admit it’s striking. She, who drags the average age down quite a few years, finds it almost sinful to peer into room after room of these old people, the poor devils, awash among their pillboxes, their orthopedic devices, their embroidered cushions, and their antediluvian photos.
Holy Mass begins; and it turns out that the seniors, for whom this first encounter with video-conferencing is a baptism by fire, are not at all acquainted with the concept of “muting the microphone.” The reverend’s words are incessantly and irrepressibly interrupted by, “I don’t know that man from Adam,” and “Heavens, how does this work?” and “Turn up the goddamn volume, Joseph, for Chrissake.” Images of the reverend are interspersed with ladies in their Sunday best shouting that they don’t understand, with half deaf gentlemen who don’t understand that they are shouting, with shouting grandchild after grandchild, not understanding what’s not to understand.
Bedlam and chaos. The blind leading the blind.
Caroline, all dolled up for this long-awaited moment, finds herself getting more and more distracted. She tries again and again to focus on the word of God — praise to you, Jesus Christ — but the situation is more hilarious than solemn. And exasperating. So funny, but so maddening, but so funny.
The reverend sighs, blesses, sighs, sighs.
A young man — well, not so much young, as younger than the others — materializes on the main screen as if descended from from the heavens and demonstrates on a sheet of paper the steps for muting the damn microphone, written in letters the size of a soft-boiled egg. Caroline sees the promised land beckon, but the blessed vision lasts but a few moments; the Methuselahs click, click, click, they try, click, click, click, but nothing, click, nothing, click, click, nothing, nothing, nothing.
Hell, now in streaming.
Caroline boils inside — one must have the patience of Job… She bites her tongue, crosses herself, makes a perfunctory gesture of farewell and hangs up, closing her computer with restrained violence.
And her house is plunged suddenly into the deepest silence. And, there, in that sacred hush, there, there, hidden, there dwells her God.
{Translated by Adam Lischinsky}
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More tales of the pandemic based on real stories at
Love in the Time of Coronavirus,
by Patricia Martín Rivas.
